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"Egan's voice [is] the perfect
Broadway instrument: a balanced combination of technique and moxie."

The Orange County Register
"Susan Egan is divine."

New York Magazine
"Egan is electrifying …"

New York Post
"[Her] powerhouse voice will change
the way you hear [these songs] from now on."

Associated Press
"[Egan's] sharply focused soprano
… is beguiling in the extreme."

Variety
"Susan is svelte, sexy and sensational
… and boy, can she belt!"

Liz Smith, New York Post
"She has a knockout [voice and]
sings the guts out of [these] magnificent songs."

Newsday
"Egan sings only as an accomplished
musician can."

USA Today
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Susan Egan is ...
- A bona-fide, Tony-nominated Broadway star who graced the stage
as Disney's original Belle in Beauty and the Beast, Sally Bowles
in Cabaret, and the title role in Thoroughly Modern Millie.
- A multi-talented artist with dozens of feature film, television
and recording credits.
- An entertainer who has performed worldwide to critical acclaim.
Susan Egan is all this, and SO much
more ...
In fact, Susan Egan is ...
one of corporate America's favorite acts!
Susan's fast-paced shows, featuring her stunning voice and her charming
and delightful personality, are filled with incredible music, hilarious
personal anecdotes, and always a few interactive surprises. Susan
more than entertains her audience ... she connects with her audience.
The LA Times enthused, " This Broadway singing star is a high voltage
performer who dominates a stage with a galvanizing presence ...
her concert is like an all night conversation with your best friend."
Often accompanied by her sidekick, the brilliant pianist Christopher
McGovern, her show includes "electrifying" renditions of Broadway
favorites by Rodgers and Hammerstein, Cole Porter, and the Gershwins
as well as well as clever, contemporary hits by today's best New
York writers.
Corporate guests always enjoy meeting with Susan after her show,
as she signs CDs and spends a few moments doing what she does best
- making new friends with ever expanding appreciative audiences.
.

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